Testimonials

Read comments and testimonials from some of our valued clients.

"Your recordings are so successful not only because of your technical expertise, but also because of your knowledge of and sensitivity to the music being performed. It has been a pleasure to work with you ... thanks to you, the LSOC is able to provide outstanding recordings for our audience members and the LSOC archives.”

David Donovan, Music Director of Lebanon Symphony Orchestra & Chorus

 
 
“I know that those little MP3 devices are OK, but they really don't cut it for a serious audition recording.  We paid $100 for the hour and I gotta tell you - the quality is out of this world.  When I post the recordings, I'll be posting the contact info for the recording engineer.  He deserves the credit!”
Campbell Vertesi, operatic bass
 
 

“Oh my gosh!  I'm listening to the CD right now in utter disbelief.  How in the world did you get such a clean recording under the circumstances we presented you with?  Amazing!  I won't give you a blow-by-blow, but I'd like to say the guitar and mandolin pieces could pass for a studio recording.  I can't imagine how you captured such delicate sounds without picking up bugs sneezing two blocks away.  And we love the acoustic environment you put us in.  Wow!   The wide range of voices, from the little kids to our 'pop-singer' teen daughter to my opera singer wife ... it seems you recorded them all at just the right levels and in balance with the piano.  Ditto for the clarinets.  You did a lot more work than simply hanging some mics, taking a level, and 'rolling the tape'.  Great job, man!   We are very happy customers!”

James Kellaris, musician and composer

 
 
“I got the CDs today safely, and just finished listening …your recording quality is just unbeatable, that every little detail in the music seems so effective to be noticed … I couldn't be happier about the sound quality!  And you were right; the well-designed packaging did make people want to listen to it.  I think it actually made the recording even sound better!”
I-Chun Chiang, Principal Violist, South Dakota Symphony Orchestra
 
 

“I just wanted to personally thank you again for doing such a phenomenal job recording my recital at Xavier.  Quite frankly I'm shocked how good you managed to get it to sound given the difficult acoustics of the hall.  I have a lot of classical recordings and a very revealing headphone setup (Grado RS1 through a Melos amplifier) and your recording sounds better than 95% of the professionally mastered classical recordings in my collection.”

Jonathan Dandrow, pianist
 
 

“Thank you so much for sending along the CD of the Bach Cantatas.  I'm listening to the recording as I type, and it sounds fantastic!  Not only does the CD sound super, but the graphic design is so elegant, too.  Many congrats on your fine work!  I hope we can have you involved in a project again soon!"

Howard Helvey, nationally recognized composer and pianist
 
 

“Other observations on the CD?  Well, now. Very, very enjoyable. Very well recorded. You truly have a practiced ear!  I was reminded while listening to your CD of some of the mid 80's Telarcs I have.  Same Schoeps sound, but your CD was generationally better ...smoother, more open, more air, lots of detail.  Wow!  It reminded me how far digital audio has come since then. It also showed me what a good engineer you are!”

Mark Stearns, recording engineer, Seaside, CA

 
 
"You were not kidding about the CD.  It sounds great on every level and everyone in our group loves the sound and quality that comes forth from a “live” performance.  I’ve even received responses from a lot of my friends about how great it sounds and how they cannot take it out of their CD player.  While I’ll be leaving Miami and the Cheezies next year, we’ll be sure to keep you in mind for further recordings.  It really does sound amazing and I know will help fundraise a lot for the Miami Men’s Glee Club. Thanks once again for all of your help and a great recording."

Brandon Rein, Miami University Glee Club

 
 
“Your CDs arrived a few days ago, but it was not until last night that I could listen to them.  I was stunned.  In the church acoustic, the organ is unbelievably rich when necessary for Langlais or Purvis, yet counterpoint is quite clear in Bach.  I simply cannot get over it.  Thank heaven you did not record too close to the organ, a common error in even the best of organ recordings.”
Dr. Harry Wilkinson, Honorary College Organist, Girard College, Philadelphia
 
 

“Thank you for these excellent CD masters.  You've done incredible work!  Words will never convey my gratitude.”

Charles Hogan, Director of Music, Christ Church Cathedral, Cincinnati
   
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